Henry Van de Velde is a Belgian artist, architect, and interior designer who is considered one of the founders of theArt Nouveaustyle.
![Portrait of Henry van de Velde in black and white.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Portrait-of-Henry-van-de-Velde.jpg)
Image source:https://search.creativecommons.org/photos/05e15df9-db3b-4ae9-8427-7a880e2f5ee1
About His Life
Van de Velde Henry Clemens, known as Henry Van de Velde, was born in Belgium, in 1863 and died in Switzerland in 1957. He was first trained as an artist in Antwerp, Belgium. Influenced by the theories ofWilliam Morrisand the EnglishArts and Craftsmovement, he abandoned painting and turned his attention to architecture and applied arts. The construction of his home, Bloemenwerf, in Uccle (1895) marked the beginning of a new career. For this house, he designed all the furniture and equipment.
![M Neue Pinakothek- by Henry van de Velde: A landscape painting of a path along a forest.](http://www.lukedreyer.com/wp-content/uploads/2023/04/M-Neue-Pinakothek-by-Henry-van-de-Velde.jpg)
Image source:https://search.creativecommons.org/photos/715b49cd-7259-4611-9e2d-34c9d3d06371byoliworx
![Coffee and tea service by Henry van de Velde, c. 1903-1904, silver, ivory, bakelite.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Coffee-and-tea-service-set.jpg)
Image source:https://search.creativecommons.org/photos/2e94633f-86d9-49fe-8b09-68784fc08b94byDaderot
In 1902, he was invited to Weimar, where he founded the School of Arts and Crafts, which he headed from 1906 to 1914. Later, it became the famousBauhaus, which was the center of the Modernist Movement in Germany. A forerunner and theorist ofModernismandFunctionalism, Van de Velde was known as the first Art Nouveau painter who worked in an abstract style and developed the concept of the union of form and function.
![Bodenvase (Henry van de Velde) - 1902-Bröhan-Museum - Charlottenburg - Berlijn.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Bodenvase-1902-.jpg)
Image source:https://search.creativecommons.org/photos/70613673-6d59-447c-a79d-c2df4b80716dbywesther
Major Architecture Works
- Bloemenwerf: Van de Velde’s first private residence, in Uccle, Belgium, (1895–96)
- Interior of the Folkwang Museum: Located in Hagen, Germany (1900–02)
- Villa Esche: Extension of the original construction, which is located in Chemnitz, Germany (1902–03, 1911)
- Nietzsche Archive: Extension and interior decoration of the structure located in Weimar, Germany (1903)
![Villa Bloemenwerf (1896) in Uccle, Belgio: A black and white photo of the structure.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Villa-Bloemenwerf.jpg)
Image source:https://en.wikipedia.org/wiki/Bloemenwerf#/media/File:Bloemenwerf_-_Henry_Van_de_Velde_-_1896.jpg
![Esche Villa during Winter.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Esche-Villa-in-Winter.jpg)
Image source:https://search.creativecommons.org/photos/2a6bf7e8-4f3e-45d3-8521-99c2a697c4b2bygravitat-OFF
- Van de Velde Building: Home of the art faculty of the Bauhaus-University located in Weimar (1905-06)
- Hohenhof: Mansion for Karl Ernst Osthaus in Hagen, Germany (1907–08)
- Werkbund-Theater: Theatre at the Deutsche Werkbund exhibition in Cologne, Germany (1913–14)
- Villa Schulenburg: Located in Gera, Germany (1913–14)
![Weimar, Bauhaus: A black and white photo of the simple structure with two floors, and three rectangular windows on each floor.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Weimar-Bauhaus.jpg)
Image source:https://search.creativecommons.org/photos/de843a90-190d-470a-b32b-8d4668618e85bysludgegulper
![Villa Schulenburg in Gera, 1913-1914, v. d. Velde: A large estate with a dark roof and medium brick siding.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Villa-Schulenburg.jpg)
Image source:https://search.creativecommons.org/photos/5b401a62-485d-4d1e-a784-ff6f10a7a727byHaPe_Gera
![Hohenhof (Henry Van de Velde) - Hagen,Germany.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Hohenhof-by-Henry-Van-de-Velde.jpg)
Source image:https://search.creativecommons.org/photos/48000f81-2a7b-435d-8f44-3222a86035d7bywesther
Major Furniture Works
- Writing desk and chair in oak,bronze,copper, and leather, with incorporated electrical lamps and metalwork fittings (1898)
- Wooden扶手椅装饰ed in leather (1900)
- Cover design of the 1908 edition of Fredrich Nietzsche’s Ecce Homo
![Desk from the director's room of the Revue Blanche, by Henry van de Velde, 1899.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Desk-from-the-directors-room-of-the-Revue-Blanche.jpg)
Source image:https://search.creativecommons.org/photos/6a901fc6-eaac-488f-8454-763830699bfebyDaderot
![Chair from the editorial staff room of the Revue Blanche, by Henry van de Velde, 1899.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Chair-from-the-editorial-staff-room-of-the-Revue-Blanch-.jpg)
Source image:https://search.creativecommons.org/photos/5f8c42eb-4f69-450e-8c32-f30748600940byDaderot
He published several books and essays on his original art theories:
- Le Déblaiement d’Art(1895)
- Renaissance in Arts and Crafts(1901)
- Vom neuen Stil(1907)
![Cover design of the 1908 Insel edition of Friedrich Nietzsche's Ecce Homo-1908](https://upload.wikimedia.org/wikipedia/en/0/06/Ecce_Homo_1908.jpg)
Source image:https://en.wikipedia.org/wiki/Ecce_Homo_(book)#/media/File:Ecce_Homo_1908.jpg
![Henry van de Velde, Tropon, Eiweiss Nahrung, 1897.](http://www.lukedreyer.com/wp-content/uploads/2023/04/Henry-van-de-Velde-Tropon.jpg)
Source image:https://search.creativecommons.org/photos/3e05a74e-7958-4404-9141-847b784c4e05byHalloween HJB
他的风格的特点
HenryVan de Velde designed a vast range of items, such as interior decorations, furniture, ceramics, metalwork, andjewelry. Often, his furniture designs are linear, highly detailed by innovative decorations and expressive ornamental designs, tempered by strong traditional elements.A man of many talents, he believed in the symbiosis of the arts, whether it was the design of a building or interior design, jewelry, fashion, or product design. HisArt Nouveauprojects are among the most typical of the period. In addition, he was reproached for building his houses as if it was furniture. However, he is one of the Art Nouveau masters whose architectural images evoke emotions.
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