Donatello (1386-1466)

Donatello, or Donato di Niccolo di Betto Bardi, is one of the important sculptors of all time. He started as a simple goldsmith apprentice, then he developed into the most influential Italian artist of the 15th century.

Portrait of Donatello, ancient Italian sculptor, engraved on a copperplate by Nicolas de Larmessin.
Portrait of Donatello by Nicolas de Larmessin

Image source: de Larmessin and Esme de Boulonois

About His Life

Donatello was born in Florence around 1386. As a young man, he was a member of “Arte della Lana” and received artistic training from a local goldsmith. Additionally, he learned metallurgy and the fabrication of metals. In 1403, he apprenticed with metalsmith and sculptor Lorenzo Ghiberti. There, he assisted Ghiberti to create thebronzedoors for the Baptistery of the Florence Cathedral. Then, he traveled to Rome and studiedclassicalart and sculpture, which gave him a deep understanding of ornamentation and classic forms. His association withBrunelleschilikely influenced his development of theGothicstyle that can be seen in much of Donatello’s early work. Moreover, Donatello maintained a lifelong friendship with the wealthy and famous Medici family and upon his retirement received from them an allowance to live on for the rest of his life. The artist died on December 13, 1466.

Donatello’s Major Sculpture Works

一个辐透o of the Bronze David, by Donatello, dated back to 1440.
Bronze David(1440) by Donatello

Image source:

Marble sculpture of David; replica at the Temperate House, Royal Botanic Gardens.
Marble sculpture of David

Image source:

  • TheBronzeStatue of David (1440):Commissioned by Cosimo de Medici for the Palazzo Medici, the sculpture was the first freestanding male nude statue since the era of Greek sculpture, and the first unsupported standing bronze statue cast during theRenaissance. Further, the style is known as contrapposto, a sculptural scheme, originated by the ancient Greeks.
  • Marblesculpture of David
  • Large figure St. Mark (1411-1413): In a niche on the exterior of Orsanmichele
  • Seated St. John the Evangelist (1415): For the facade of the Cathedral;
  • St George (1415-1417): His earliest work, which displays his radical move away from the prevalentGothicstyle
  • Prophet Habakkuk (1423–1425): also known as Lo Zuccone;
  • Equestrian Statue of Gattamelata (1453):Locatedin Padua, which represents Erasmo da Narmi, a famous Venetian condottiere who died shortly before
  • Penitent Magdalene (1453–1455):One of Donatello’s most renowned works and considered his greatest wooden masterpiece
  • Judith and Holofernes (1460)
Photo of the Equestrian Statue of Gattamelata, by Donatello, dated back to 1453.
Equestrian Statue of Gattamelata, Donatello, 1453.

Image source:

Orsanmichele Church, Florence - Statue of St. Mark (1411-1413) in a niche on the external part of Orsanmichele Church.
雕像的圣马克多纳泰罗(1411 - 1413)

Image source: Bauer,

Other Works

  • St. George Killing the Dragon (1416-1417):Introduced a new mode of relief and is also famous for being one of the first examples of central-pointperspectivein sculpture
  • The Feast of Herod (1423-1427): one of Donatello’s earliest relief sculptures and his first bronzerelief
希律王的宴会,多纳泰罗,1423年1427: A bronze piece carved on a flat surface, the figures are hard to distinguish.

Image source: Mei

Sometime around 1450, Donatello undertook a massive project for the church Saint Anthony of Padua, which included 7 life-sizebronzestatues, 21 bronze reliefs of various sizes, and a largelimestonerelief.

Donatello's Resurrection Pulpit carved into metal.
Donatello’s Resurrection Pulpit

Image source:

Features of Donatello’s Style

  • Marbleandbronzeare often present, as he possessed an extensive knowledge of ancient sculpture
  • In his sculptures, the human body is represented as a functional organism. In contrast tomedievalart, the human personality radiates confidence in its worth
  • He paid particular attention to characteristic facial features with exceptional expressive power
  • Introduced a technique known as schiacciato, stiacciato or shallowrelief, which became widely used inRenaissancelow relief. This technique involved extremely fine carvings and used light and shadow to create a complete painterly scene. His contemporaries and successors copied his techniques and still inspire artists to this day.
Donatello's Mary Magdalene Statue.
Donatello’s Mary Magdalene Statue

Image source: Dirkse

Info sources:

Understanding Art, A Reference Guide to Painting, Sculpture and Architecure in the Romanesque, Gothic, Renaissance and Baroque Periods
Ads Blocker Image Powered by Code Help Pro

Ads Blocker Detected!!!

We have detected that you are using extensions to block ads. Please support us by disabling these ads blocker.