Dakota Jackson

美国家具设计师,达科塔州杰克逊known for his eponymous furniture brand, Dakota Jackson Inc., and his early avant-garde works involving moving parts or hidden compartments.

Dakota Jackson
Dakota Jackson

Image source:https://www.scad.edu/about/news-press-and-recognition/legendary-designer-dakota-jackson-joins-scad-honorary-chair

Jackson’s Biography

Dakota Jacksonwas born in1949inNY,USA. Born to a family ofprofessional magicians, Jackson grew up on stage, where he learned the extreme disciplines of theperformer.When he was a young man, he was immersed in minimalist dance scenes and performance art resting in the abandoned lofts of Soho. These experiences with the illusion and the show deeply influenced hisdesign sensibility. Notable among his projects is theLibrary Chair, designed for the public architecture of San Francisco by architect James Ingo Freed. Another work signature includes Jackson’s many collaborations withSteinway & Sons. In 2000, Steinway launched the TriCentennial Piano project, an edition of 300 pianos commemorating the three hundredth anniversary of the instrument’s invention. In 2013, Jackson and Steinway presented the Arabesque limited edition Grand Concert piano, which celebrates the 160th anniversary of the founding of Steinway & Sons. The Arabesque has been awarded aRed Dot Award 2014for Innovative Product Design, a historic honor for Jackson that for Steinway is the first Steinway piano to receive the prestigious award.

Info source:http://www.dakotajackson.com/profile/biography

The Saturn Stool by Dakota Jackson
The Saturn Stool by Dakota Jackson

Image source:https://en.wikipedia.org/wiki/Dakota_Jackson#/media/File:Dakota_jackson_saturn_stool.jpg

What About His Most Notable Works?

With an over four decades long career, Dakota Jackson has been one of the leading figures in American furniture design. Since the early 1970s, each of his seminal designs has been a combination ofexquisite craft,intriguingengineering, andoriginal form. Dakota Jackson furniture can be found in collections of the world’s leading museums, including The Cooper-Hewitt National Design Museum, Germany’s Deutsches Architektur Museum, The Brooklyn Museum, New York’s Museum of Art and Design, The Chicago Athenaeum, and The London Design Museum. Noteworthy among his designs is the Library Chair, currently in use in libraries across the country, including Harvard, NYU, Stanford. In 1991, Jackson began to work on a chair forlibrariesand othereducational institutions. Inspired by Bank of England-style office chairs, as well as by the plywood seating collections of Charles and Ray Eames, Jackson spent five years developing and testing his design for what became “The Library Chair”, one of his most ubiquitous works.

Info source:https://www.michaeltaylorcollections.com/representedlines/dakota-jackson

The Library Chair by Dakota Jackson
The Library Chair by Dakota Jackson

Image source:https://en.wikipedia.org/wiki/Dakota_Jackson#/media/File:Dakota_jackson_library_chair.jpg

TheLibrary Chairis characterized bymaple face veneerson solid maple kiln-dried frame. Jackson wanted to engineer a strong, comfortable wooden chair that could be cost-effectivly mass-produced. Connections are reinforced with dowels, mortise-and-tenon joints and sub-seat aprons. Each component is precision cut by a 5-axis robotic router, allowing for near zero tolerance in alignment and fitting of all joints. Another important work made by the American furniture designer is theBump Wave Cabinetwhich challengesvisual perceptionsofweight distribution. The molded wooden doors, with their idiosyncratic “bumps” form awaveacross the gleaming surface of the rectangular case. A band of contrast wood below the case offers a grounding element. The “biomorphic”Vik-ter Chairwas introduced in 1991. The chair’s “highly production oriented” design included acurving welded-steel frameand a tapered laminated cherry plywood seat that could be produced in seven minutes. The Vik-ter Chair was Jackson’s first design that could be mass-produced and priced competitively. It received asilver awardfor environmental design in the 1992 Industrial Design Excellence Awards. Although the Vik-ter Chair was designed for the contract market, itspopularityled Jackson to make it available to the residential market and for sale directly to buyers.

Info source:http://www.wikiwand.com/en/Dakota_Jackson

The Vik-ter Chair by Dakota Jackson
The Vik-ter Chair by Dakota Jackson

Image source:https://en.wikipedia.org/wiki/Dakota_Jackson#/media/File:Dakota_jackson_vik-ter_chair.jpg

One of the most notable works designed by Jackson is the 160th Anniversary Arabesque Concert B Piano forSteinway & Sons. The stunningArabesqueis a Limited Edition with auniqueandinnovative design approach.“The Arabesque Piano combines thegraceof the classical dancer and theintertwining motifwitnessed in Moorish design — sound in movement. The physical presence of the Arabesque was a direct link to what I initially composed in my thoughts.It was a thought dream coming alive.” — Dakota Jackson.It touches the soul with a pure beauty. The instrument captivates withexquisite design accents, giving an impression offluidityandmovement.In ballet, an “arabesque” is a pose held suspended in time, with the limbs of the dancer impossibly extended. It conveys a sense ofchanneled energy,flowing freelythrough the tips of the fingers and toes, outward and upward into the ether.

Info source:https://www.steinway.com/pianos/steinway/limited-edition/arabesque

The 160th Anniversary Arabesque Concert B Piano
The 160th Anniversary Arabesque Concert B Piano by Dakota Jackson for Steinway & Sons

Image source:https://en.wikipedia.org/wiki/Dakota_Jackson#/media/File:Dakota_jackson_arabesque.jpg

“I’m always looking to be inventive. I’m always looking for that gesture, that grand sweep, or a simple sweep that becomes highly identifiable.”

Desk for John Lennon
Desk for John Lennon by Dakota Jackson

Image source:https://en.wikipedia.org/wiki/Dakota_Jackson#/media/File:Dj_lennon_desk.jpg

Dakota Jackson, known formodern high styleandexquisite unparalleled craftsmanship, has been at the forefront of American design for nearly four decades. With collections spanning residential, executive, educational and hospitality needs, he creates lasting works that will continue to inspire and serve for generations to come. More than anything, he is aninventor, a man who melds his prodigiouscreative,intuitiveandtechnical giftsto build structures oflasting beauty. The creation of and passion for beauty and connection is a through-line for Jackson, who has a way of building pieces that people feel,interpreting the userandcreatingfor them. A builder and tinkerer, a second-generation magician who toured with his father, a concert-level pianist and a dancer who performed with the Trisha Brown Dance Company, Jackson has led an amazing life, and his brain is arapid-fire generator of ideas,connections, of one-thing-leads-to-another until somehow he finds his way back. His furniture pieces are in museums, and his list of awards is long. The many winding stories in his arsenal arefascinating. And it is of no surprise that his best ones involve women. “Women have been the ones who have challenged me in terms of the art and craft of what I do” he explains.

Info source:http://www.coloradohomesmag.com/Life/Dakota-Jackson-Master-of-Invention/

Ke-Zu Chaise Longue - In 1989, Jackson entered the mass-produced contract furniture market with the Ke-zu seating collection, which started with an
Ke-Zu Chaise Longue – In 1989, Jackson entered the mass-produced contract furniture market with the Ke-zu seating collection, which started with an “angular” chaise longue.
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