SANAA’s unmistakable signature is evident in this emblematic chair designed by Ryue Nishizawa and Kazuyo Sejima, embodying the design philosophy of the firm.
Image source:https://platform-0.com/sanaa-drop-chair-2005/
Shapes of Nature
SANAA’s distinctive design is unmistakable in this emblematic piece furniture: the main source of inspiration for the firm has always been identified inanimals和自然, following the idea ofbalance和lightness。One of their major pieces is undoubtedly the “drop chair”，专为21st Century Museum of Contemporary Art， 在Kanazawa。Kazuyo Sejima和Ryue Nishizawa, the two heads of SANAA studio, set on designing a raindrop-shaped armless chair, completely made inaluminum。雨滴是平衡变化的完美例子，因为掉下来引起运动，使池塘表面中等涟漪。材料反映了周围的环境，传达了lightnessto the structure, strengthened by its three thin chair legs, made of metal as well.
An analogously important piece, found in the samr museum, is theNextmaruni无臂椅，牢记rabbit ears并意识到natural birch; it is, possibly, a testimony toSANAA‘s notable collaboration withAlessi, the Italian design company known for reinventing the design of everyday objects using colorful, plaything-like designs, with whom they produced a tea service in sleek, stainless steel, with the boilers being all notably shaped like apples and pears, adding SANAA’s own natural touch to a traditionally industrial aesthetic.
Image source:https://platform-0.com/sanaa-drop-chair-2005/
萨那的故事
萨那是一家日本公司Kazuyo Sejima和Ryue Nishizawa， 在1995; in a few years, the brand has established itself on the international stage as one of the major and most impactful architectural firms of the 21st century. The unmistakable signature of the brand is theirdistinctive minimalism，这使SANAA主角是New MuseuminNew York，圆形生产设施Vitra Campus, as well as the sereneLouvre-Lensin法国。
As for the architects themselves,Sejima她出生于东京，在那里学习建筑。获得学位后，她开设了自己的工作室，后来被奖励年轻建筑师by the Japan Institute of Architects.Ryue Nishizawagraduated with a Master’s degree in Architecture at the Yokohama National University, and during this period he met Sejima. After a collaboration lasting for several years, Nishizawa and Sejima founded SANAA, or “SEijima和Nishizawa以及合作伙伴”。
(Photo by Takashi Okamoto).
Image source:https://www.arch.virginia.edu/news/kazuyo-sejima-ryue-nishizawa-2019-thomas-jefferson-medalists-in-architecture。作者：卡罗琳·纽曼
关于包容性
SANAA’s distinctive style is focused on the brand’s ultimate goal: toencourage interaction with the environment and the architecture。This philosophy leads to abstract,minimalist空间，很少有透明的材料或图案。这种极简主义是针对周围环境的个性化和解释的，没有任何先入之见，从而促进了建筑物在居住之前才完成的观念。这个非物质的物理空间似乎几乎没有任何物理细节，因为空白的画布：除了裁判官的使用之外，还没有玻璃，混凝土和软结构，绘制短暂的形式，帮助访客专注于建筑物的社会维度。Sanaa的哲学与对建筑物的无菌视野一样，是“白盒子”的尽可能的，但是试图引起人们对建筑最深层本质的关注：人类。
Image source:https://search.creativecommons.org/photos/005a6541-5628-414d-b544-23b51be218e3by准建筑网站网站网站
A case point is the21st Century Museum of Contemporary Artin Kanazawa, which embodies the concept of “city within a city”, containing smaller rectangular volumes surrounded by a transparent circle. In this way was created a pattern-breaking space, which promotes the free circulation between different zones. SANAA’sRolex Learning Centerin Switzerland underlines the focus on humanity and the sociality of the firm. This minimalist space refuses every form of barrier, featuring an open space lit by large windows, which create a play of lights on the neutral environment. The grouping is encouraged also by shared spaces, circular tables and chairs, to promote sharing knowledge and team working.
Image source:https://search.creativecommons.org/photos/006f24a6-9426-4ae4-9fac-3da286a3ae50byPaolomazzoleni
信息来源：
https://designdefender.com/designers/sanaa/
https://divisare.com/authors/10419-sanaa-kazuyo-sejima-ryue-nishizawa
